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The Jim Morrison Project is an audio & visual anthology detailing the life of Jim Morrison through his poetry, film work, artwork, spoken word & music with The Doors.

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Director Opens New ‘Doors’ With Documentary

Tom DiCilloJust as The Doors were not a typical rock band, "When You're Strange: A Film About The Doors" is not a typical music documentary—and that's due to the vision of director/writer Tom DiCillo.

Instead of following the typical rock-doc format and including recent interviews with band members and other notable figures, DiCillo's "When You're Strange" tells the story of The Doors through music and archival footage, and it's all linked together by the narrative he wrote (with actor Johnny Depp providing the voice-over).

But this documentary is not merely a chronological repackaging of typical or played-out visuals paired with music and narration. The surviving Doors (keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore) gave DiCillo access to the video vaults so he could make his film, which also includes rare band footage along with views of private moments and personal projects, such as outtakes from "HWY," a film featuring singer Jim Morrison.

"The footage of 'HWY' becomes the spirit of Morrison, kind of wandering through the film, looking for the meaning of himself, the meaning of the band and the meaning of the time," says DiCillo, whose TV and movie credits include "Law & Order: Criminal Intent" and "Johnny Suede."

DiCillo took some time to talk about his experience making "When You're Strange" (now available on DVD and Blu-ray).

You were in your early-to-mid teens when The Doors were in their heyday. When and how did you first become familiar with the band, and what made The Doors different in your eyes?
Tom DiCillo: Well, my dad was a colonel in the Marine Corps, so my brother and I didn't have that much access to, let's say, alternative forms of music when we were 13, 14. I was in the car one day with some friends, and we were going to a junior high school dance… and The Doors' "Light My Fire" came on—the long version. I just couldn't believe it. I said, "This song is just going on and on." … That was my introduction to The Doors: It had something to do with rebellion against my father and rebellion against authority. I knew nothing about [the band], and I bought that first album.

The only thing I could tell you about that sound and what the music was about was I felt like it spoke to me [and] all of the things that were different about me and other people who liked that music.

What were you doing professionally when the call came to do a documentary on The Doors?
DiCillo: I was in the process of trying to raise financing for one of my films when the phone rang, and it was the producers asking me if I'd be interested in directing a documentary about The Doors. And as soon as the word "Doors" came out of their mouths, I said yes.

My sense about the band, even before I really got into it, was that this is an extremely cinematic journey and a cinematic story, and that's what prompted me to say 'yes' right away to it. … I dove into it, and that's what it took. For two and a half years, I completely focused on this movie. The Doors have an archive in Los Angeles, and I looked at every single piece of filmed material on the band—that took a month.

THE FOOTAGE of “HWY” becomes the spirit of Jim Morrison, wandering. Photo courtesy Rhino/Paul Ferrara
Aside from going through all of that film footage, what other research did you do, and what did you gain from it?

DiCillo: Of course I spoke to Ray, John and Robby. That was interesting, because when I first met them, I thought they would instantly see what I feel about myself, which is I'm an honest guy. I thought that they'd see that immediately and just open up to me. It was a rude shock to suddenly realize these guys have been meeting people like me for 40 years. I had to prove myself to them, and that really affected the way I spoke to the three of them.

Soon after I began cutting stuff together and showing them what I was thinking of—particularly the decision to only use the archival footage—they began to trust me. They saw that I knew a little bit about music and that it was going to be a film about all of them and not just Jim.

I spoke to Jim's sister, Anne. I spoke to Jac Holzman, the founder of Elektra, and [Doors engineer] Bruce Botnick. I didn't really feel like I wanted to talk to anyone further outside the intimate circle of the band than that group; otherwise, you're just getting into opinion.

What's the most unusual or memorable comment you've heard from someone who's seen the documentary?

DiCillo: There have been a number of them, and they come from the most unexpected places. [When] the film played here in New York at the Angelika, this young African-American girl tapped me on the shoulder and said, "I have to tell you that I just loved this movie." I said, "How do you know about The Doors?" She said, "My dad. I love this band."

When I hear a response like that, it shows me one thing: The Doors and their music have the power to still affect people today the way they did when they first came out, and that's pretty amazing to me. It shows you that music is timeless and keeps inspiring generations of people, and I tried to suggest that with the film. That's why I made that decision to only use the original footage, the real stuff, and to stay there. That way, the audiences today could experience them as if they were happening right now.

DIRECTOR TOM DI CILLO was very judicious with finding footage that helped tell a story for “When You’re Strange.” Photo courtesy Rhino/Paul Ferrara

Has there been any talk about what might become of the footage that was left in the can?

DiCillo: I pretty much believe that what's in the film is the best of it. A lot of it didn't have sound; a lot of it had the camera swinging around and going out of focus. I had to be very judicious with just finding pieces of footage that helped tell a story.

… At one point we tried to put a bunch of images over the final credits. But they weren't strong enough to be in the main part of the movie, so when you saw them at the end of the film, they were a real letdown. So I just decided not to put anything there.

Including them would have been like a bad encore.

DiCillo: Oh yeah, exactly.

Chris M. Junior (2010, August 10). Director opens new 'Doors' with documentary. Retrieved March 14, 2014, from
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Guest Friday, 24 October 2014

The Doors Playlist

  • Jim Morrison The Doors ~Light My Fire
  • The Doors Live Footage at "Kongreßhalle" Frankfurt 1968
  • Feast Of Friends Trailer - Nov. 10th, 2014
  • Stories of my time with Jim Morrison
  • Jim Morrison "Tales Of The American Night" (The Lost Paris Tape) Poetry Recording 1969
  • L'Histoire de Jim Morrison (Documentaire français 1991 TVRip)
  • Three Hours For Magic  The Jim Morrison special
  • The Doors  "Miami - March 1, 1969"
  • The Doors - R-Evolution 2013 (Official DVD Release)
  • The Doors PBS Studio 1969 Full concert
  • The Doors Break On Through at "She-Bang" 1967 New Good Quality
  • The Doors Break On Through "Promotional & Publicity Film" 1966 HD New Footage
  • Jim Morrison - VH1 Confidential Segment
  • The Doors at '"Murray the K In New York" Full Outtakes 1967
  • The Doors - Light My Fire [HD]
  • Jim Morrison Backstage at "Bakersfield Civic Center " 1968 Footage
  • The Doors- Light My Fire Official Live
  • the doors - love me two times
  • Jim Morrison on Why Fat is Beautiful | Blank on Blank | PBS Digital Studios
  • Before the End: Searching for Jim Morrison [OFFICIAL FILM PREVIEW]
  • Riders on the Storm - The Doors HD
  • The Doors, Mr. Mojo Risin The Story Of LA Woman
  • Jim Morrison: His Final Hours - "Final 24"
  • The Doors Aura Studio Demos (1965) [Early recordings of the Doors]
  • THE doors - Live at the Bowl `68
  • Doorstown: Jim Morrison and The Doors Documentary
  • Jim Morrison on the Future of Music (Electronic Music)
  • The Doors Live 1968
  • The Doors Are Open (Full Movie)
  • The Doors   Soundstage Performances 1969
  • The Doors: Mr. Mojo Risin - The Story of LA Woman extras
  • Harrison Ford touring with The Doors (1968)
  • The Doors - Bakersfield 1970 (Synced footage)
  • The Doors When the Music's Over Live at Matrix "San Francisco" 1967
  • Turn out the Lights - Jim Morrison's last night on stage
  • The Doors | People Are Strange (Official Video)
  • The Doors Break on Through Live at "Boston" 1970
  • Members of The Doors Discuss The Genesis of "Mr. Mojo Risin'"
  • Patricia Kennealy-Morrison on Jim Morrison
  • Jim Morrison & Women
  • 40 Second Wonder ;)
  • The Doors - Roadhouse Blues, BEST version (live in N.Y. 1970) [music video]
  • The Doors - rare - backstage before a concert
  • The Doors - L.A. Woman - HQ (official music video)
  • The Doors - Wishful Sinful
  • The Doors Build Me a Woman Live at Aquarius Theater "Private Rehearsal" 1969
  • The Doors Morrison Hotel Silent 8mm Film Footage 1969 The Changeling 12 11 70
  • The Doors Five to one / Spanish Caravan Live at "Philadelphia Arena" 1968
  • The Doors Five to One Live at Cleveland Public Auditorium August 3 1968
  • The Doors Back Door Man Live at Matrix "San Francisco" 1967
  • A Night With Jim Morrison at The Alta Cienega Motel
  • The Doors - Riders On The Storm (ORIGINAL!) - driving with Jim
  • The Doors - GLORIA - dirty version (music video, fantasy cut)
  • The Doors, Spanish Caravan Live, Madison Square Garden, New York Jan 24, 1969
  • Dawn's Highway Trailer
  • The Doors - Ships With Sails (HQ Audio)
  • THE DOORS - Rare promo video of Light my fire
  • Rare Live Footage of The Doors and Jim Morrison
  • Rare Doors Footage; Those were the Days
  • The Doors - Let It Slide
  • The Doors - When The Music's Over
  • DOORS Lead-Singer Jim Morisson Visits French Movie Set DAYS Before His Death
  • The Doors- Five to One
  • The Doors - Love Street
  • The Doors - Roadhouse Blues (Live)
  • The Doors - Moonlight Drive [HD]
  • The Doors - When The Music's Over (LIVE IN EUROPE 1968)
  • Jim Morrison in "Florida State University: Toward a Greater University"
  • Jim Morrison Alta Cienega Motel Room 32
  • The Doors - Waiting for the sun
  • the doors live light my fire hollywood bowl 1968
  • The Doors - The Changeling Live RARE 8mm Home Movie
  • The Doors - Spanish Caravan (From "Live In Europe 1968" DVD)
  • Back Door Man- The Doors( Live in Seattle ) RARE
  • The Doors - Light My Fire (Live In Europe 1968)
  • The Doors - Frankfurt, Germany 1968
  • Jim Morrison in an Airplane
  • The Doors "People Are Strange"
  • Jim Morrison, The Weird Dawn of Dreams
  • The Doors - The Soft Parade
  • Adolf Hitler is still alive
  • The Doors (The Crystal Ship)
  • The Doors (Wild Child rare version)
  • The Doors - Touch Me

Featured Book

The Doors On The Road
by Greg Shaw provides a comprehensive timeline of live performances, reviews of the shows, stage antics of the performers, gossip related to the events, and recording sessions.

Music is very erotic. One of the functions is a purgation of emotion. To call our music orgasmic means that we are able to move people to a kind of emotional orgasm through the medium of words and music. A concert clicks when the musicians and the audience reach a kind of united experience. It is stirring and satisfying to know that the various boundaries which separate people from other people are lowered the space of an hour.

—Jim Morrison



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