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Director Opens New ‘Doors’ With Documentary

Tom DiCilloJust as The Doors were not a typical rock band, "When You're Strange: A Film About The Doors" is not a typical music documentary—and that's due to the vision of director/writer Tom DiCillo.

Instead of following the typical rock-doc format and including recent interviews with band members and other notable figures, DiCillo's "When You're Strange" tells the story of The Doors through music and archival footage, and it's all linked together by the narrative he wrote (with actor Johnny Depp providing the voice-over).

But this documentary is not merely a chronological repackaging of typical or played-out visuals paired with music and narration. The surviving Doors (keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore) gave DiCillo access to the video vaults so he could make his film, which also includes rare band footage along with views of private moments and personal projects, such as outtakes from "HWY," a film featuring singer Jim Morrison.

"The footage of 'HWY' becomes the spirit of Morrison, kind of wandering through the film, looking for the meaning of himself, the meaning of the band and the meaning of the time," says DiCillo, whose TV and movie credits include "Law & Order: Criminal Intent" and "Johnny Suede."

DiCillo took some time to talk about his experience making "When You're Strange" (now available on DVD and Blu-ray).

You were in your early-to-mid teens when The Doors were in their heyday. When and how did you first become familiar with the band, and what made The Doors different in your eyes?
Tom DiCillo: Well, my dad was a colonel in the Marine Corps, so my brother and I didn't have that much access to, let's say, alternative forms of music when we were 13, 14. I was in the car one day with some friends, and we were going to a junior high school dance… and The Doors' "Light My Fire" came on—the long version. I just couldn't believe it. I said, "This song is just going on and on." … That was my introduction to The Doors: It had something to do with rebellion against my father and rebellion against authority. I knew nothing about [the band], and I bought that first album.

The only thing I could tell you about that sound and what the music was about was I felt like it spoke to me [and] all of the things that were different about me and other people who liked that music.

What were you doing professionally when the call came to do a documentary on The Doors?
DiCillo: I was in the process of trying to raise financing for one of my films when the phone rang, and it was the producers asking me if I'd be interested in directing a documentary about The Doors. And as soon as the word "Doors" came out of their mouths, I said yes.

My sense about the band, even before I really got into it, was that this is an extremely cinematic journey and a cinematic story, and that's what prompted me to say 'yes' right away to it. … I dove into it, and that's what it took. For two and a half years, I completely focused on this movie. The Doors have an archive in Los Angeles, and I looked at every single piece of filmed material on the band—that took a month.

THE FOOTAGE of “HWY” becomes the spirit of Jim Morrison, wandering. Photo courtesy Rhino/Paul Ferrara
Aside from going through all of that film footage, what other research did you do, and what did you gain from it?

DiCillo: Of course I spoke to Ray, John and Robby. That was interesting, because when I first met them, I thought they would instantly see what I feel about myself, which is I'm an honest guy. I thought that they'd see that immediately and just open up to me. It was a rude shock to suddenly realize these guys have been meeting people like me for 40 years. I had to prove myself to them, and that really affected the way I spoke to the three of them.

Soon after I began cutting stuff together and showing them what I was thinking of—particularly the decision to only use the archival footage—they began to trust me. They saw that I knew a little bit about music and that it was going to be a film about all of them and not just Jim.

I spoke to Jim's sister, Anne. I spoke to Jac Holzman, the founder of Elektra, and [Doors engineer] Bruce Botnick. I didn't really feel like I wanted to talk to anyone further outside the intimate circle of the band than that group; otherwise, you're just getting into opinion.

What's the most unusual or memorable comment you've heard from someone who's seen the documentary?

DiCillo: There have been a number of them, and they come from the most unexpected places. [When] the film played here in New York at the Angelika, this young African-American girl tapped me on the shoulder and said, "I have to tell you that I just loved this movie." I said, "How do you know about The Doors?" She said, "My dad. I love this band."

When I hear a response like that, it shows me one thing: The Doors and their music have the power to still affect people today the way they did when they first came out, and that's pretty amazing to me. It shows you that music is timeless and keeps inspiring generations of people, and I tried to suggest that with the film. That's why I made that decision to only use the original footage, the real stuff, and to stay there. That way, the audiences today could experience them as if they were happening right now.

DIRECTOR TOM DI CILLO was very judicious with finding footage that helped tell a story for “When You’re Strange.” Photo courtesy Rhino/Paul Ferrara

Has there been any talk about what might become of the footage that was left in the can?

DiCillo: I pretty much believe that what's in the film is the best of it. A lot of it didn't have sound; a lot of it had the camera swinging around and going out of focus. I had to be very judicious with just finding pieces of footage that helped tell a story.

… At one point we tried to put a bunch of images over the final credits. But they weren't strong enough to be in the main part of the movie, so when you saw them at the end of the film, they were a real letdown. So I just decided not to put anything there.

Including them would have been like a bad encore.

DiCillo: Oh yeah, exactly.

Chris M. Junior (2010, August 10). Director opens new 'Doors' with documentary. Retrieved March 14, 2014, from www.goldminemag.com
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Guest Friday, 19 December 2014

I Am The Lizard King - I Can Do Anything

TomDiMensio. (n.d.). The Lizard King [Sticker]. Retrieved from www.redbubble.com

Doors Playlist

Music, poetry, full concerts, rare live footage—all the best YouTube has to offer on my favorite band, The Doors.

 

  • Jim Morrison read poem in backstage
  • Jim Morrison speaking with Pastor Fred L. Stegmeyer Complete New Footage New 2014
  • The Doors - Money Live in Stockholm
  • Rock's Tragic '27 Club' - You Think You Know Classic Rock?
  • The Doors New Footage "Studio Rehearsal" Unseen Video (Wild Child) 1968
  • The Doors Poker (Playing Card Game) @ Bakersfield Hotel Room 1968
  • Jim Morrison "How's that for a shit-eating grin?" Footage @ Saratoga Springs 1968
  • The Doors New Footage "Take 1" from Feast of Friends: Encore
  • The Doors - You make me real
  • The Doors - I will never be untrue
  • The Doors - Shaman's Blues
  • THE DOORS - R-EVOLUTION
  • Jim Morrison's shaman dance
  • The Doors - Jim Morrison
  • Jim Morrison The Doors ~Light My Fire~When You're Strange
  • The Doors Live Footage at "Kongreßhalle" Frankfurt 1968
  • The Doors - Feast Of Friends ~ Trailer HD
  • Feast Of Friends Trailer - Nov. 10th, 2014
  • Stories of my time with Jim Morrison
  • The Doors "Rock Is Dead" Rare The Complete Session! 1969
  • The Doors Live at "PBS Critique" 1969 Full Show
  • Jim Morrison "Tales Of The American Night" (The Lost Paris Tape) Poetry Recording 1969
  • The Doors World Series Of Trivia presented by Mojo Magazine
  • L'Histoire de Jim Morrison (Documentaire français 1991 TVRip)
  • Three Hours For Magic  The Jim Morrison special
  • The Doors - No One Here Gets Out  Alive A Tribute to Jim Morrison
  • The Doors  "Miami - March 1, 1969"
  • The Doors - R-Evolution 2013 (Official DVD Release)
  • The Doors PBS Studio 1969 Full concert
  • THE DOORS | Mr. Mojo Risin': The Story of L.A. Woman Q&A and Performance
  • The Doors   Live in Denmark MP4
  • The Doors Break On Through at "She-Bang" 1967 New Good Quality
  • The Doors Hello, I Love You at "1-2-3-4 Hot&Sweet" 1968 Color HD
  • The Doors Live at "American Bandstand" 1967 Full HD Footage
  • The Doors Break On Through "Promotional & Publicity Film" 1966 HD New Footage
  • The Doors Break On Through Live at "Isle of Wight Festival" Original Footage Full Lenght
  • Jim Morrison - VH1 Confidential Segment
  • The Doors at '"Murray the K In New York" Full Outtakes 1967
  • The Doors THE END FULL version!! (LIVE in Toronto, CBC television, 14 September 1967)
  • Jim Morrison Backstage at "Bakersfield Civic Center " 1968 Footage
  • The Doors "A Profile of Jim Morrison and The Doors On and Off Stage'" at "PBS Critique'" 1969
  • The Doors- Light My Fire Official Live
  • THE DOORS IN HD - JIM MORRISON - THE END - LIVE IN CONCERT - AMAZING !!!!
  • the doors - love me two times
  • Jim Morrison on Why Fat is Beautiful | Blank on Blank | PBS Digital Studios
  • Before the End: Searching for Jim Morrison [OFFICIAL FILM PREVIEW]
  • Riders on the Storm - The Doors HD
  • The Doors, Mr. Mojo Risin The Story Of LA Woman
  • Jim Morrison: His Final Hours - "Final 24"
  • The Doors Aura Studio Demos (1965) [Early recordings of the Doors]
  • THE doors - Live at the Bowl `68
  • Doorstown: Jim Morrison and The Doors Documentary
  • The Doors Live in europe — full show 1968
  • Jim Morrison on the Future of Music (Electronic Music)
  • The Doors Live 1968
  • The Doors Are Open (Full Movie)
  • Feast Of Friends - The Doors Documentary
  • The Doors   Soundstage Performances 1969
  • The Doors   Live in Copenhagen 1968
  • The Doors: Mr. Mojo Risin - The Story of LA Woman extras
  • Harrison Ford touring with The Doors (1968)
  • The Doors - Bakersfield 1970 (Synced footage)
  • Jim Morrison  rare  Home movie "Dancing"
  • The Doors When the Music's Over Live at Matrix "San Francisco" 1967
  • Turn out the Lights - Jim Morrison's last night on stage
  • Jim Morrison feat. Massive Attack Vision and Fragments from The Lost Paris Tapes/Teardrope
  • The Doors | People Are Strange (Official Video)
  • The Doors Break on Through Live at "Boston" 1970
  • Members of The Doors Discuss The Genesis of "Mr. Mojo Risin'"
  • Patricia Kennealy-Morrison on Jim Morrison
  • Jim Morrison & Women
  • 40 Second Wonder ;)
  • Full hour with Ray Manzarek of The Doors on Joe Viglione's Visual Radio, also John Densmore
  • The Doors - Roadhouse Blues, BEST version (live in N.Y. 1970) [music video]
  • The Doors - rare - backstage before a concert
  • Jim Morrison - HWY (full)
  • The Doors - L.A. Woman - HQ (official music video)
  • Jim Morrison: Florida State University (full length) - 1963/1964
  • The Doors - Wishful Sinful
  • The Doors Build Me a Woman Live at Aquarius Theater "Private Rehearsal" 1969
  • The Doors Morrison Hotel Silent 8mm Film Footage 1969 The Changeling 12 11 70
  • The Doors Five to one / Spanish Caravan Live at "Philadelphia Arena" 1968
  • The Doors Five to One Live at Cleveland Public Auditorium August 3 1968
  • The Doors Back Door Man Live at Matrix "San Francisco" 1967
  • A Night With Jim Morrison at The Alta Cienega Motel
  • The Doors - Riders On The Storm (ORIGINAL!) - driving with Jim
  • The Doors - GLORIA - dirty version (music video, fantasy cut)
  • The Doors, Spanish Caravan Live, Madison Square Garden, New York Jan 24, 1969
  • Dawn's Highway Trailer Small.mov
  • The Doors - Ships With Sails (HQ Audio)
  • Jim Morrison
  • THE DOORS ROBBY KRIEGER TALKS JIM MORRISON PARDON
  • THE DOORS - Rare promo video of Light my fire
  • Rare Live Footage of The Doors and Jim Morrison
  • Rare Doors Footage; Those were the Days
  • The Doors - Let It Slide
  • The Doors - When The Music's Over
  • The Doors - I Can't See Your Face In My Mind
  • DOORS Lead-Singer Jim Morisson Visits French Movie Set DAYS Before His Death
  • The Doors- Five to One

I was less theatrical, less artificial when I began, but now the audiences we play for are much larger and the rooms wider. It's necessary to project more. I think when you're a small dot at the end of a large arena, you have to make up for that lack of intimacy with expanded movements.

—Jim Morrison

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