Blog & News

If you would like to be a guest blogger—or if you have written past articles about Jim Morrison or created videos that you would like to share on this site—email Joanne at This e-mail address is being protected from spambots. You need JavaScript enabled to view it . All copyrights belong to their respective owners.



The Doors Live At The Bowl '68

Written by Joanne Glasspoole   
Friday, 16 November 2012 08:22

Denis and I took a self portrait after the show 

Denis and I took a self portrait after the show. We tried to take one during the movie, but the camera flashed back toward the couple in the back row, where upon the man shouted at us to put our camera away. After they left the theater, an usher came in to reprimand us and said the other couple told him that we ruined the movie for them. I felt they just wanted their money back or else they would have complained sooner.

The Doors Live At The Bowl '68 - The Entire Legendary Live Show Post CardOn Tuesday, November 13, Denis and I attended an encore presentation of The Doors Live At The Bowl '68: The Entire Legendary Live Show in St. Paul, Minnesota.

Expecting a full theater, I was surprised to see just one other couple who were seated in the back row. We sat in the third to the back row. A lone guy showed up after the start of the film, but left maybe 10 minutes later and did not return.

Unlike the Live At The Hollywood Bowl documentary that was released in 1987, the film started with interviews: Bruce Botnick, sound engineer; Ray Manzarek & Robby Krieger, the organist and guitarist; John Densmore, the drummer—I found it curious that the three musicians did not do the interview together; and Frank Lisciandro, The Doors official photographer after Paul Ferrara who was not interviewed. I thought Ferrara should have been included considering he filmed the concert.

Some of the topics they spoke about:

  • Ferrara used five cameras to film the concert from a variety of angles. Although there were some scenes I had not seen before, like Manzarek's white boot pumping the organ foot pedal, nothing much really stood out from the original documentary.
  • Manzarek and Krieger—and the Chambers Brothers—talked about having ordered 52 amplifiers to play LOUD but only being able to use five; Krieger was disappointed that they couldn't use all 52 and admitted it had affected his performance at the show.
  • Morrison was probably on LSD, but no one knew for sure. There were a few times during his performance when he would seem to nod out and suddenly he would bounce back. During the song, The End, when he starts adlibbing about the accident outside they assumed he was tripping out.
And we were in this house and there was a sound like
Silverware being dropped on linoleum, and then
Somebody ran into the room and they said
"Have you seen the accident outside?"
And everybody said:
"Hey man, have you seen the accident outside?"
Have you seen the accident outside
Seven people took a ride
Six bachelors and their bride
Seven people took a ride
Seven people died

Don't let me die in an automobile
I wanna lie in an open field
Want the snakes to suck my skin
Want the worms to be my friends
Want the birds to eat my eyes
As here I lie
The clouds fly by

Ode to a grasshopper…
I think I'll open a little shop,
A little place where they sell things
And I think I'll call it "Grasshopper"…
I have a big green grasshopper out there
Have you seen my grasshopper, mama?
Looking real good…
(Oh, I blew it, it's a moth)
That's alright, he ain't got long to go, so we'll forgive him.

Source: Lyrics On Demand
  • Manzarek and Krieger talked about Mick Jagger and hanging out with The Stones prior to the show.
  • When The Doors played Back Door Man, Morrison switched to Five to One in the middle of the song, and then he finished the remainder of Back Door Man.

The interview session was short, maybe 10-15 minutes. The Chambers Brothers who also played at The Bowl that night were the most entertaining of the interviewees. The way they were dressed and adorned with jewelry, they looked like pimps. After 46 years, they were still excited about having performed with The Doors.

After the interviews, the screen faded to black and the show began with When The Music's Over. There were three lost tracks added to the film, including Hello, I Love You; The WASP (Texas Radio and the Big Beat); and Spanish Caravan.

The concert ended with The End, and the movie was over.

Although it was amazing seeing Jim Morrison on the big screen, was the movie worth the price of admission? That's up in the air. If Denis weren't here from Quebec, I probably wouldn't have driven to the city to see it and would have waited to buy the DVD (which I did today).

As noted above, we got in trouble for taking photos during the movie, but I wanted to share the experience with you, so here are pictures I took on my DROID. It was hard taking pictures of moving pictures, but I think they turned out okay and hope you enjoy them… Just imagine them not blurry :)

2012-11-13 19-43-45_741

2012-11-13 19-45-30_52

2012-11-13 19-46-29_714

2012-11-13 19-46-36_412

2012-11-13 19-47-26_275

2012-11-13 19-49-20_848

2012-11-13 19-50-20_955

Notice Jim Morrison's bruised index finger.

2012-11-13 19-52-51_928

2012-11-13 19-54-25_232

2012-11-13 19-55-33_816


 

Jim Morrison by Blue-Duchess

Written by Blue-Duchess   
Wednesday, 14 November 2012 15:09

jim morrison_by_blue_duchess-d5l0cjo

Source: deviantART

 

Meet Jim Morrison - Of The Doors

Written by Joanne Glasspoole   
Thursday, 27 September 2012 09:31

U2-61-029In the November 1967 issue of 16 Magazine, Gloria Stavers wrote an article about Jim Morrison. Her words are poetic and you can sense her mesmerizing experience of having watched him sing with the backdrop of The Doors filling the stadium with their synchronic music. She writes like a teenager with a crush on the lead singer, and it brings to life the magic of the man himself—described in one word "total."

 

At first, everything is serene—blue and green. The lights are low and the stage is empty. Slowly, the boys come out and in the darkness they start to "set up." You can hardly distinguish which is which. After a minimum amount of tuning up, the house lights suddenly go on. Just as they do, there is a fabulous blast of sound. It's the Doors—and they are on and it's unmistakably their music that you hear. Then, seemingly from no where, a figure leaps onto the stage. It's him—Jim Morrison! And you feel something you have never felt before. It's like an electric shock that goes all through you. Jim is singing and you realize that it's a combination of him, the way he looks and moves, and his sound that has completely turned you on. His voice is like spirals of flame, and beautiful and yellow colors seem to fly out of his fingertips… He is electric. His is magic. He is all afire. And everything that he is, he is giving to you freely and totally.

Are you as turned on as I am?

Source: 16 Magazine, Vol. 9 No. 6, Nov. 1967

 

Jim Morrison - Speed Painting Video

Published on Aug 29, 2012 by Denise Esposito

 

Jim Morrison by MatthewIngles

Written by MatthewIngles   
Friday, 17 August 2012 00:00

jim morrison_by_matthewingles-d5bjvff

Source: deviantART

 
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>

Page 1 of 139